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Originally posted on FaceBook by @Jeff A HISTORY OF GLORANTHAN ART, PART I DAWN AGE At the Dawn, there were basically two cultural centers - Dragon Pass (also known as the Theyalans or the Unity Council) and the Peloria lowlands ruled by the Horse Lords. The Theyalans had a tradition of “realistic” art thanks to the Silver Age heroes called the Architect and the Artist (both of whom were active in Kethaela). Moreover, they had access to dwarf crafters, dragonewts and elves. And to surviving pre-Time relics. It followed geometric patterns of proportion and composition, and mortals and gods alike were depicted nude. This “Theyalan style” got spread all over the place, but also was probably really diverse. Individual artists did things in individual ways. Example: Stravulstead, 1st Century, thought to be Heort

With this article, we begin a look at the artefacts of magic, and their influence on the cultures of the settings of Mythras. The Core Rulebook places the emphasis on the player characters, their native wit and their acquired magical powers or connections to the spirits and/or gods, rather than on magic items and enchanted treasures. Enchantments Enchantment is defined as a feeling of great pleasure or delight, as well as the state of being under a spell or magic. This blog could focus on the second definition, since this blog covers the items used by Adventurers during their escapades; but it would be a good idea to begin by looking at how the first definition can also be relevant to this topic. Enchantment as in "a state of great pleasure" can easily come from being under the effects of mundane hypnosis as much as anything else. To be enchanted by something, or someone, is to be placed in an altered state by the mere presence of the person or object. When you are enchanted, the proximity of the object or person increases the levels of oxytocin, dopamine, and serotonin neurotransmitters in your body. Your attention focuses on the cause of that heightened awareness. The more you focus, the deeper you go, the more pronounced the effects, and the more the heightened presence of phenylethylamine makes you feel like swooning. And that overall feeling and focus increases tenfold when you realise, or are told, that you are the proud owner of such an object, or that the person seeks your time. The object which captures your attention, the person who seems to narrow the world down to just you and them, is a desideratum. This desideratum controls your perceptions, for as long as you remain so deeply enchanted, and your whole perceptions feel so good that the world even glows a little around the desired object or charming person. Come back in the room, a little, and let yourself imagine how that feels in the context of your Adventurers and their lives. Enchant (Object) This is the only enchantment-type spell in the Mythras Core Rulebook. As far as the Core Rulebook is concerned, this is the only means by which one can create magic items for Mythras. Of course, what makes it daunting is the heavy price one has to pay for this spell. A spell which is to be made perpetual must be Combined with the casting of Enchant. In addition, it is limited to possessing only as many points of shaping as the Intensity of the Enchant. The strain of creating the enchantment permanently reduces the sorcerer’s Magic Points attribute by the magic point cost of the combined spell. These can be recovered later if the enchantment is unwoven by the original caster or the object (or person) is destroyed. Even a POW 18 human can, therefore, only create a handful of magic items with this spell before they find themselves unable to generate Magic Points. The career of the professional Enchanter would seem to be a short one. The reason for this restriction would seem to be to limit the number of actual magic items available within the game, as well as to keep them as low key as possible. The Adventurers are forced, by this restriction, to rely upon their own native wits, talents, magic, and connections - both mundane and Numinous - to resolve the conflicts in the adventures they undertake. Actual magic items are rare, and never outshine their wielders. Adventurers must, accordingly, pay a heavy price for their Magic Swords of Damage Enhancement and Bypass Armour, or their Shields of Damage Resistance and Castback. There can only be one natural conclusion to reach: Enchant (Object) cannot be the only way to imbue artefacts with magical power. Methods of Creation Consider how many other magical items in the Mythras Core Rulebook seem to have achieved sustained magical power. The kinds of magical artefacts which are bestowed on favoured faction members in the form of Gifts, and the plethora of spirit fetishes created by animists, would indicate that there are other ways to create enchanted items. That could include theistic religious items, which could be charged with the theists' Devotional Magic Points. The Folk Magic Curse spell acts in a similar way to Enchant (Object), in that the caster's Magic Point capacity is reduced for as long as the curse is kept active. This opens a precedent for other, as-yet undiscovered, Folk Magic spells to sustain themselves on the caster's lifeforce. The following are suggestions for alternative ways for a sufficiently-motivated enchanter to create enchanted items. None of these are at all canon, but a Games Master can use these creation paths as dictated by the needs of the plot, or for the purposes of the campaign. Sacrifice A sacrifice must be made, in order to provide sufficient energies to create a permanent change within the artefact. This could be a simple burning of organic matter such as a quantity of grain, a piece of meat, a quantity of fruits, or a liquid such as milk. The amount burned is the equivalent in Silver Pieces of 2d4 x the Magic Points one would sacrifice, otherwise. An alternative to persistent Magic Point loss would be persistent fatigue. The enchanter could sustain a long-term, persistent fatigue level lasting for 1d4 days after the final creation of the artefact. An enchanter with a heavy workload could be rendered exhausted for days after all that creation, or they could space out their enchantments to around one session per week. There are other kinds of sacrifices one could make, such as applying a reverse Tap (Characteristic) to reduce one's characteristics to create the artefact, or sacrificing Experience Rolls equal to the Intensity of the enchantment. This is similar to the Experience Roll sacrifice made by an animist to create the housing for a spirit fetish (Mythras, page 136). Harnmaster Rules The Harnmaster roleplaying game uses a different fatigue mechanic, and furthermore it does not use Magic Points. Harnmaster even has a different way of creating artefacts, dividing them into two categories - Minor Artefacts, and Major Artefacts. Minor Artefacts only retain one ability, such as the "Fount of Power" spell which is the equivalent of Mythras' "Store Mana" spell. Major Artefacts require a spell called a "False Soul" (basically, this turns the artefact into a programmable "device") to hold the other component powers together (such as "Fount of Power" and "Resurge", which recharges "Fount of Power" without intervention from the item's wielder). The one rule which all artefacts, Minor and Major, have in common, is this:- the Duration of these artefact enchantments is always Indefinite (self-sustaining, but can be permanently dispelled) if they are cast over an artefact which has already been created. However, if the enchantment is cast over the artefact as it is being grown or made from scratch, the enchantment's Duration is Permanent - the artefact's powers cannot be dispelled, only temporarily suppressed. The process of creating permanent artefacts, therefore, takes as long as the artefect does to be created, which is a minimum of something like [15 - Intensity] hours, or some multiple of [15 - Intensity]. Or the Games Master could abstract the process, using the Equipment Manufacturing and Quality rules from page 65 of Mythras Core Rulebook, taking double the time to create a regular item of the same type. There is another set of rules one can use - available from Old Bones Publishing here. Again, if the enchanter takes double the time to create the artefact, and enchants it as it is being built or grown, any enchantments so created will have Permanent Duration. Unique Materials This is the whole "eight pounds of dragon scales," "the seeds of a rare flower which grows in the Elpathian Mountains," "a single ruby worth 4,000 Gold Pieces" territory. The acquisition of such rare or expensive materials or fabrics, of course, forms the focus of an entire story, possibly spread over multiple sessions. It might be easier to obtain a measure of ordinary frankincense worth ten thousand Silver Pieces, for example, by travelling to the place where it is made, and haggling for the goods. Holy Devotion Religious artefacts can be created through acts of Devotion. Theists with sufficient motivation can Consecrate an artefact and make it sacred to the deity. The Games Master can even rule that they do not even require the Consecrate spell - merely a passionate Herculean Exhort skill check and expenditure of Devotional Magic Points into the item. Some religious artefacts might not even need consecration. Holy relics, particularly body parts of dead high-Devotion saints, could have their own internal, regenerating store of Devotional Magic Points, not usable by the theist but only usable for the relic's Miracles. The Enchantment Effect - Wonders The process of creating the artefacts, relics, and fetishes is only part of the story of enchanted items. In the next post, the blog will focus on the artefacts' effects on the Adventurers and their loved ones, on the campaign, and on the game setting.

Show it off if you have it! I'd love to see art from other people's games. Actual drawings or inspirations for characters. Here's my shaman to be Drella. She's my playtest character from Valley of Plenty. She has scars from the two times she almost died, but only internal ones from the time she died. That and the air elemental tastefully blowing smoke. This is her ceremonial dress. It lacks her amazing hat she bought off an Issaries who thought he'd never sell it! Because it is TOO AWESOME!

This is Kalf the Carrier. Art by Kristi Jones

In a lot of recent(?) artwork, I have noticed a preponderance of elaborate chin tattoos being represented, for example: and the images of Leika and the Chan sisters in the GM Adventure Book. What is the significance/purpose/reason for the elaborate chin tattoos? I am just curious.

Hi, As with the post about the French covers of RQ and HQ, I've now compiled all existing RQ and HQ covers of the German edition. 👈 (Except for those which look the same as the original editions). I hope you enjoy the read (remember to use Google translate to transmute the text into your language of preference) 😁 and let me know what you think.

Following the fantastic response of Odd Soot, I'm making some of the illustrations available as wall art. My first offer consists of six retro aliens in the style of 19th century scientific drawings. They are printed on heavy fine-art paper, perfect for framing. Print quality has been superb in my tests. The thick paper has a nice matte finish and a slight grain, as you would see in a real 19th century print. It truly looks as if these aliens come straight out of an old scientific folio. Regardless of your interior style - or lack of style - these prints will add a discreet weirdness to it. New Alien Species Devoured by Their Gods In addition to the five main species in Odd Soot, I have also added a new alien to the lineup: The Enn. They live on the hazy, unexplored world of Calia, with a small outlier on Sisymbrium. On Calia, the gods and spirits live among the Enn – some benign, some lethal gobblers while others are mindless spirit beasts. It turns out that living with testy gods can be quite dangerous. https://www.redbubble.com/people/clarence-redd?ref=artist_title_name I hope you enjoy the prints. Let me know what other motifs you would like to see! Clarence

Hi Chaosium, I'd like to know who is the artist of each piece in the rulebook. I can only recognise Andrey Fetisov, Michelle Lockamy, Mignola and Kalin Kadiev. Failing that, I'd like to know who is the artist who has done the art in page 136, 177, etc.

Any chance we will see the BRP/BGB cover art available via Redbubble? Either with or without title/text ... I did look, but didn't find it (n.b I was repeatedly annoyed by Redbubble taking me to an "all products of Type-X" page instead of just-Chaosium products of "Type-X")

Found in a small museum in Reading UK(!), a stone carving of Argan Argar (or perhaps Kimantor) travelling. Destination or purpose unknown, though he is watching the path behind.