Evilschemer

I hadn’t put a lot of thought into combat styles, so I welcome ideas and suggestions. Off hand, • Brux try to stay out of combat. An injured brux tends to go berserk and smash things, attacking anything nearby at random. • Capridians are kickers, utilizing their long strong legs, sweeps, etc. Their long reach would make them good pugilists. • Cyberdroids are analytical and precise. A Ohnan martial art would consist of deadly accurate strikes to vital areas and nerve clusters. • Daka use their claws and teeth, raking and biting. The Raganan martial art is known as Yssik (see Ssaka’s write-up on page 180). It favors the scimitar as a weapon, slashing, whirling, spinning like a dervish. • Deru are close-in fighters, wrestlers, grabbers. They’re used to tight confined spaces and lunging, piercing weapons. They do not use slashes or axes or swinging weapons. • Jinx prefer to avoid fighting. They are negotiators and con-men. If pressed into a fight with their back against the wall, they fight dirty. Poison, dirt in the eye, playing dead, kick to the crotch, etc. • Orix are brutal and efficient fighters. They prefer axes and big swords, lots of swing and slash. Of the human groups, • Civilized Cydorians are traditional Eurasian-style sword-fighters. • Awans are expert archers who fight from gelk-back. • Bansyans use axes, Viking-style. • Fornaxians like big fat broad-bladed swords. • Gatan fight from the back of anator or razorfants using lances. • Guernans are the group most likely to know a jiu-jitsu style martial art involving falls, grabs, and locks. • Ossians fight like bears, wrestling and punching and rolling around in the dirt. • Samirians use big double-bladed axes. • Varzans are archers and hunters. • Zinjani are like Jinx, using whatever dirty trick is needed to survive. They just don’t avoid combat as much as a Jinx. • Phanosians on Uruta are likely to be special forces types, spies, etc. They know sophisticated unarmed martial arts but don’t have a big tradition in hand-to-hand weapons fighting. I can go into the NPC species/cultures later.

Here's the text of the chapter for those who don't feel like downloading. Religions and Cults of Cydoria Cydoria is a generally polytheistic society. Each cultural region has its own pantheon of gods and each city-state worships a patron god of that city. With the advent of aero-ship trade, worshippers carried their gods from city to city. Today, a new pantheon of gods exists with representatives from every culture and city. What follows are a few representatives of each cultural pantheon.   Cydorian Cosmology It is said that the world of Uruta was created twelve thousand years ago by the primordial titans Asag and Kur. During the age of the titans, there was no life on the world. The world was a barren, desolate place, a world of fire and brimstone and choking clouds of poisonous smoke. The Sdara Vatra From the depths of space came the Sdara Vatra, the gods of creation. The Sdara Vatra were entities of immense power. They commanded the energies of the universe. They could convert matter into energy and back again. They could build worlds from nothing and could destroy those worlds with a thought. The battle against Asag and Kur lasted for thousands of years. In time, the Sdara Vatra defeated the beasts using the Seeds of Creation. The Seeds were artifacts of unguessable energy that drew upon the essence of life itself. It was a power that neither Asag nor Kur could overcome for the Seeds could create faster than either beast could destroy. Eventually, Asag was imprisoned at the center of the world while Kur was contained in a great spherical shell and banished to the skies over Uruta where it remains to this day. The Era of Creation To celebrate their victory, the Sdara Vatra used the Seeds of Creation to populate the world with living things. First they created the water and the soil. Second, they created the plants and animals. Finally, they created new intelligent beings such as the Capridi, the daka, the deru, and many more. This period is called the Second Age of the Sdara Vatra, the Era of Creation. The Threat of Corruption The Corruption is a horrible force of elemental destruction and decay. It exists outside of the universe and seeks only to return all of creation to entropy. The Sdara Vatra created the Oudh to protect Uruta and their living creations from the Corruption. Safe from the Corruption, the Sdara Vatra oversaw the development of life on Uruta in peace. The Betrayal of the Aya The servants of the Sdara Vatra were angelic spirit-beings called Aya. The Aya were totally loyal and served every whim of their divine masters. Somehow, the Corruption found a way through the Oudh and was able to corrupt the loyal Aya. The Aya managed to trick their masters into revealing the secrets of the universe and the Aya stole the powers of godhead from the Sdara Vatra. The roles were reversed, the Aya had become gods and the Sdara Vatra had become their mortal servants. The Aya, however, created their ownservants, the cyberdroids, and had no need for the Sdara Vatra. The Sdara Vatra were rounded up for elimination. They were exterminated from the world like vermin. Those that escaped were hunted and killed by the cyberdroid killing machines. The genocide of the Sdara Vatra was nearly complete when, for reasons that have never been known, the Aya stopped. Some say the Aya abandoned the cyberdroids. Others say that Aya learned the true meaning of compassion. Whatever the reason, the cyberdroids ended the genocide and retreated to the far north, to the domed city of Sakata. To this day, the Aya exist in the stories and nightmares of humans across Markania. To some, the Aya are evil ghosts that live on the wind. To others, they are benign spirits who bring good fortune if properly appeased. The Sdara Vatra, no longer immortal, had become the first primitive humans. After thousands of years, these stone-age savage evolved and created the Nazarian civilization. The Cities of the Gods Little is left of Sdara Vatra except for their ruins. Forested hills and layers of topsoil hide the remains of mountainous structures, smashed domes, and deep networks of chambers and passages. The sites can be identified by skeletal spires of unknown metal piercing the surface of the hill and reaching into the sky. The ruined structures of the Sdara Vatra are criss-crossed by many horizontal, vertical, diagonal, and even ring-rhaped shafts. They conceal thousands of chambers ranging from small quarters to spacious domed enclosures. The majority of the chambers and shafts have collapsed and filled with debris from above, sealing them off from the rest of the structure. It is believed that the Sdara Vatra lived almost entirely within these structures or deep underground, rarely visiting the outside world.   The ancient Nazarians worshipped the Sdara Vatra as gods and venerated these structures as holy places. Many of the structures were explored by the Nazarians, the artifacts removed and stored in their temple vaults. Some were left untouched and trapped to dissuade future grave-robbers from removing the holy relics hidden within. Intrepid explorers investigating these subterranean ruins have won their way past the Nazarian traps and have recovered strange devices and artifacts, most inoperable or indecipherable. Legends of the Sdara Vatra The following items are commonly accepted “facts” about the Sdara Vatra. • The Malusians, Phanosians, and other aliens are also mortal descendants of the Sdara Vatra. • The Sdara Vatra were hatched from eggs. • The Sdara Vatra could transmute matter into energy and back again. • The Sdara Vatra could control time and alter the laws of the universe. • The Sdara Vatra could create entire worlds from nothing and could destroy those same worlds with a mere thought. • The Sdara Vatra could cross great distances, even the void between the worlds, by thought alone. • The Sara Vatra were immortal, immune to all disease, could recover from any injury, and could only be killed by completely destroying the brain. • The Sdara Vatra could fly through the air without the aid of Zephyrium. • The Sdara Vatra were served by the Aya, spirits bound into crystals. • The Sdara Vatra could create life from nothing using the Seeds of Creation and created all life on Uruta. • The Sdara Vatra lived inside mountains made of metal, some of which could fly through the heavens and visit other worlds and universes. • The Masters of Ouhd claim to the learned the secrets of ta’oudh from the Sdara Vatra. • Somewhere, out in the wilderness of northern Markania, is a vast underground bunker where some Sdara Vatra still live, sealed away and un-touched by the treachery of the Aya, waiting to return to the world. • The Sdara Vatra could turn any mortal into a god. The New Gods of Cydoria The Sdara Vatra are no longer worshipped as gods by modern Cydorians. They are considered the ancestors of the modern humans. It is believed that, despite having their godhead stolen by the Aya, the spark of divinity remained hidden within their descendants and that any mortal may one day become a god. Over time, many mortals became gods. Each city cultivated its own pantheon of gods, with each new god challenging its predecessor for power over an elemental force or an aspect of the human condition. Other cultures, especially non-human cultures, have no such belief. Their gods have no Sdara Vatra heritage and are independent of the Cydorian pantheons. Anaka, the Serpent God of the Daka and the Galloans Anaka, the serpent god, is the malevolent god of the Dakans and the Galloans. Anaka is variously depicted as a three-headed viper, a man with the head of a viper, or as a divinely powerful Daka. Anaka worship involves human torture and sacrifice, often in the form of throwing the victim into a pit to be devoured by a gargantuan viper. The worshippers of Anaka believe that their devotion and sacrifice will bring them power and influence and secret cults of Anaka have become popular with the wealthy and powerful of the Cydorian elite. Tithes are paid to the temples of Anaka in the form of gold and treasure which is kept hidden and secure in secret underground vaults. Brinna, the Mother of the Demetrian Gods and Protector of Homes Brinna is the Mother of Gods and Protector of Homes of the Demetrian pantheon. She is generally portrayed in paintings, mosaics, and statuary as a friendly matronly woman with four feathered wings and carrying a loaf of creet bread in one hand and a sword in the other. She is a goddess of fertility and of nature, the patron of mothers and farmers. Offerings of grain and food are brought to her temple as sacrifice. The priests, in turn, distribute the collected offerings to the needy. The Corruption The Corruption is the universal force of entropy, the personification of decay, betrayal, and evil. The Corruption exists in the void between the worlds and seeks to reverse the force of creation and to one day destroy the universe. The Oudh was created to shield Uruta from the influence of the Corruption. The Demon-Lords of Haru The degenerate tribes of Haru worship a multitude of hideous demonic gods collectively referred to as the Demon-Lords of Haru. They have many names; their number is too large to list. They are depicted as chaotic mutated things, tentacled, bat-winged, squamous, clawed, and bloated. They are celebrated in unspeakable sacrificial orgies of rape, torture, exsanguinations, dismemberment, and cannibalistic feasting. Fimgar, the Targan God of Fire and Battle Fimgar the Warrior is the god of victory in battles and of fire in the Targan pantheon and is the patron god of Vrildar. The gods of the Targan pantheon are warlike and severe, befitting the people of the region and Fimgar is no exception. Fimgar is a mighty warrior, clad in shining gold armor with flaming red hair. He carries Gorin, the golden sword of destiny. The Vrildarians offer animal blood poured into sacrificial pyres to beseech their god for blessings in upcoming battles. Emperor Viktor is believed to be the living avatar of Fimgar. Viktor’s sword, passed down through the generations of Vrildarian kings, is believed to be forged from a sliver of Gorin. Gorox, the Fornaxian God of the Sea and Trade The people of the city-state of Fornax worship Gorox, the god of the sea and of trade, as the patron of the city. Gorox is a stout man with long hair and beard. He commands a holy ship pulled by the four winds in the form of four flying gimwals. The Fornaxians offer sacrifices of fish and tithes on trade to the god in a cyclopean temple of black granite. A fire forever burns in a tower overlooking the temple, a guidepost to all Fornaxian sailors, visible for many leagues out to sea. Groata, the Roatin Great Bird of the Sky The Roatin worship Groata, the great bird of the sky, under vaulting temple domes supported by beautiful pillars of clear crystal. Groata is depicted as a gigantic fiery eagle. He is identified with the sun and the Roatin believe the sun to be Groata flying across the sky each day. It is believed that the broken moon Thumn is the remains of the egg that bore Groata and that the moon Kur is the egg of Groata’s successor. Gründ, the Ossian God of the Cave Bear. The tribal people of the hills of Ossia worship Gründ, the god of the cave bear. Gründ is described as a large burly man covered in hair and wearing the skin of a cave bear. It is believed that he was born a bear and later took human form. He lived among the bears and became their leader. Gründ set the cave bears against mankind as a test for man. Every Ossian boy must venture alone into the forest in order to slay a cave bear as a right of passage. Ossians wear the teeth of the cave bear they killed as an earring or around their neck. Hrawr, the Gatan Goddess of the Razorfangs The matriarchal tribes of Gatas worship the goddess Hrawr. She is described as having the body of a female human but the head of a razorfang, the hulking feline predator of the plains. She is a fierce goddess who lives among the big cats. It is said she has a special fondness for the taste of Gatan children. Captured outsiders are often offered as a sacrifice to the razorfangs, the so-called “Hrawr’s pride”. Korg the Uncaring, the Samirian God of Battle The chief god of the Samirian pantheon is Korg the Uncaring, the horned god of battle. He is depicted as a giant armored warrior with a head resembling a demonic horned head with fangs. He wears magical armor that cannot be pierced by any weapon and wields a massive sword named SCALE, forged from the impenetrable hide of the World-Dragon whom Korg slew at the beginning of time to form the world. Korg has no priesthood and no formal rituals. Korg instead serves more as an example, a prototype for the ideal Samirian warrior, against whom all other warriors are judged. The Korulan Pantheon The coastal tribesmen of Korula pay homage to the ancestral god of their tribe’s long-house. There are hundreds of tribal gods and goddesses along the Korulan coast, each a representative of the spirit of the tribe with an accompanying myth that ties the god to the village. The whaling village of Sirida worships Saparda the Whale Killer, who wields a harpoon of lightning that once split the tree from which the long-house is constructed. The fishers of Yimjuk worship Uluga, the old lady that lives at the bottom of the bay. It is said that she gathers the fish from the sea and corrals them into the bay each year. Dardari the strong is the tribal god the village of Kimhedi. Dararis strength comes from his long beard, so the men of Kimhedi do not cut the hair of their beards. Kurok, the Awan God of the Hunt The shamans of the Awan tribes describe Kurok the Hunter as a giant man with the antlers of a magnificent stag growing from his head and fierce glowing eyes. His face is always darkly shadowed and never visible. He wears a cape made of feathers and carries a stone-tipped spear. He is the spirit of the wild gelk and protector of the forests. The primitive Awans offer a sacrifice to beg Kurok’s permission and forgiveness when embarking on a hunt, and his name is praised in thanks upon a successful kill. The Makers, Gods of the Cyberdroids The cyberdroids of Sakata worship a group of gods collectively known as the Makers. The Makers are a group of Aya that created the Sakatans from energy and metal to hunt the Sdara Vatra. The Makers lack individual identities personalities and the Sakatans argue endlessly about how many there were and where they came from. Such are the mysteries of the Makers. The Makers promise freedom to all slaves and enlightenment to those who follow a path of virtue and freedom. Such sentiments are well received by human slaves and prisoners who have come into contact with cyberdroid travelers from Sakata and a few small cults have grown to worship them. Most Cydorian cultures consider the Aya demonic spirits and any worship of the Makers to be equivalent to heresy or devil worship. This and the cult’s doctrine of individual freedom have resulted in the cult being banned in nearly all Cydorian communities. Matina, the Goddess of Love and Forgiveness, Patron of Mothers The goddess Matina is worshipped in the rural villages on the islands of Meruta and Saibra. Though she is not considered the chief god of the island pantheon, that title goes to her son Heis the sky-god, Matina is generally considered the more popular deity. She is usually depicted as a lovely young woman, modestly dressed, carrying the infant Heis in her tender arms. Matina is the goddess of love and forgiveness, the patron of mothers. The story of Matina tells of a goddess that fell in love with a mortal farmer. She forsook her godhead to be with her love and bore him a child, the infant Heis. Heis grew into a marvelous young man, a man of peace and learning, unaware of his heritage. One day, the gods Irik and Blem, Martina’s brothers, found Heis working in a field. They kidnapped, tortured, and eventually murdered him. Sais, the god of the hurricane and father of Matina, learned of the murderous acts and held the offending gods over to Matina’s judgment. Instead of punishing them, Matina forgave her brothers. In their shame and dishonor, Irik and Blem turned themselves into fish and banished themselves to the ocean. Seis, as a reward to his daughter, raised Heis as the god of the skies and proclaimed him the new supreme god. Martina eventually died a mortal’s death, but she is worshipped to this day by the common farmers of Meruta and Saibra among whom it is believed she lived. The Mother-of-All Many primitive sub-human tribes, such as the cannibalistic grey-folk that live in the mountains of Bansya, the tribes that live in the hills of Ossia, and some of the degenerate tribes hiding among the Apparian mountains, all worship a variation of what Cydorian anthropologists have named the Mother of Uruta. The Mother is a fertility goddess. She has no known name. Even the Ossians, the only tribe that worships her with a language, refer to her only as the Mother-of-All. She is depicted in crude statuettes as a faceless woman with large breasts and wide exaggerated hips and thighs. Her worship involves animal and sometimes human sacrifice and cannibalism. Nil, the Two-Faced Judge of the Dead Nil, mother of Fimgar and judge of the afterlife in the Targan pantheon, is the patron goddess of Vrildar’s neighbor Norukar. Nil possesses two mask-like faces, one a white smiling visage of mirth and laughter, the other of black frowning scowl of loss and foreboding. Her gown is grey and simple. She is said to exist in two places at once. As the judge of the afterlife, she wears her mask of sorrow and sits on her throne at the gates of death, where she judges the souls of the recently dead. The souls that have served the gods well are allowed into the paradise of Vartis, where they feast and revel with the gods until the end of the world. Souls that are not recognized by Nil are sent into the Kos, the maelstrom, where they are lost forever in the chaotic void. Statues of Nil show her wearing both masks, sitting on her throne. In one had she holds the cup of revelry, in the other the spear of despair. Tithes are paid to her priests either to forestall death or to ensure entry into Vartis. Ommu, the Great Worm at the Center of Uruta The Deru worship the god-beast Ommu, the Great Worm that lives at the center of the world. Ummo is believed to be a massive bloated white maggot eating away at the bowels of Uruta. Deru clans keep an actual giant maggot, a creature they believe to be an avatar of Ommu, at the bottom of a deep pit. They feed the giant maggot the bodies of their dead and the occasional animal sacrifice. The Deru believe that caves are left in Ommu’s wake, or in the wake of its children, and that earthquakes are the result of a restless Ommu writhing at the center of Uruta. Rash, the Rat-God of the Roshu. The Roshu, the large intelligent rats beneath the city of Norukar, worship Rash. Rash is depicted as a gigantic stone rat, sometimes gold plated, with gems for eyes. The Roshu offer sacrifices of items stolen from the surface world which are then collected by the priests. The priests of Rash teach that one day the Roshu shall inherit the surface world and that on that day all men will be their slaves. Ururu, the Living God of the Quorians Quorians worship Ururu, the deep god who lives in the ocean depths. Ururu is, in fact, a living god, a massive mutant cephalopod that lives within a cyclopean temple built by the Quorians on the sea floor south of Nrolis. Any subjects of failed Quorian experimentation lucky enough to survive the process live only long enough to be sacrificed to their amorphous undersea god. Uzon the Dragon God of the Dazi The Daka of Dazi worship Uzon, the dragon god of the desert. He is depicted as a giant reptile with a long neck and tail. His back is covered with a ridge of spines and the mouth in his horned head is lined with razor-sharp fangs. It is unknown if Uzon is mythical or in actuality a rare beast of the desert. Yorala, the Otaran God of the Sky Yorala “the Sky-Father” is a warrior-god, defender of his mate Gaya “the World-Mother”. Yorala stands ever vigilant in defense of the world, protecting it with his magic shield from the forces of the Corruption. Zopat, the God of Merchants The Varzans treat their gods with pragmatism. The Varzans believe their gods exist only to serve their needs and worship is a kind of business arrangement. The chief god of the Varzan pantheon is Zopat, lord of merchants and moneylenders, patron of Zinj. The priests of Zopat claim that to ensure a profitable business arrangement, one must pay a monetary tithe to the temple. The belief being that the one that pays the most will enjoy the better profits of the arrangement. Of course, one must weigh the cost of the tithe against the gain of the potential profit. The money from the tithes is then spent to improve the temple as well as the splendor of their finery. Other Philosophies The Guardians of Adhara The Guardians of Adhara worship no gods and pay veneration to no higher power. Instead, they live by a strict moral code and the knowledge that their actions beget consequences to themselves and others. They live their lives according to the the four directives: teach, help, heal, and protect. Many also teach a secret fifth directive. When the four directives are not enough, it is the Guardian’s mission to avenge the innocent. The Brotherhood of Elemental Mastery Though not technically a religion, the Brotherhood of Elemental Mastery is a Norukarian order with the trappings of a religion. The Brotherhood studies the ancient scriptures that teach the principles of engineering and applied science. They believe that these holy secrets are reserved only for initiates of the order and are jealously guarded. Many initiates of the Brotherhood also worship the gods of the Targan pantheon while initiates of the fascist Masters of Lightning have a cult-like reverence for the Emperor. For more information on the Brotherhood of Elemental Mastery, see page xx. Techno-Mysticism The philosophy of Techno-Mysticism teaches that one can gain insight into the secret working of the universe through the understanding of complex mechanisms. Techno-mystics study, disassemble, reassemble, and attempt to duplicate machines and electronic devices. The more complex the device, so the techno-mystic believes, the greater enlightenment one achieves. The philosophy of techno-mysticism is in direct opposition to the secretive dogma of the Brotherhood of Elemental Mastery. For more information on techno-mysticism, see page XX.

I have added one of the chapters I had to cut from Swords of Cydoria to the downloads section. It's a chapter on the Religions and Cults of Cydoria. Enjoy, and please comment or ask questions.

Any pilot can be a smuggler. The best smugglers are pilots with high Fsat Talk skill and some good forged customs inspections, commissions, etc. Generally, the Vrildarian Empire will allow only humans to obtain licenses as captains or pilots and will allow only humans to own titles to aero-ships. Now of course, in reality, any barbarian, orix, jinx, daka, deru, or capridian can kill the crew of an aero-ship that has landed in the middle of nowhere Markania, manage to get the aero-ship started, and figure out how to fly it (unless the captain boobytrapped the controls). As long as the pirate never intends to dock at a Vrildarian city, they can fly all over western Markania, stopping only at hidden pirate strongholds or joining the Dazumi Pirate brotherhood. If they ever want to put in to a law-abiding city or outpost, they can alway purchase forged one or more forged titles for the aero-ship, hire a human to serve as a "proxy" and get him forged licenses and authorization, then just tell customs inspectors that the captain is mute from an injury and that the captain has authorized the PC to speak on his behalf, perhaps even providing a signed authorization to that effect. In the above scenario, then a Jinx would make the best smuggler. Another alternative is that a human is the pilot and captain and the PC is a member of the crew. Anyone on the crew can be a smuggler. Just hide a box of illegal cargo under your bed and lie about it if your are caught.

Easily fixed. I'll update the spreadsheet with skill-based cries and 100+ tomorrow (I left the file on my work computer)

Naw, you could still have success levels. If I had a skill of 70%, a special success would occur on a roll of 56-69. A roll of 70 = critical. Skill Fumble Fumble % Success Special Special % Critical 100 01 1% 01 - 79 80 - 99 20% 100 99 01 1% 01 - 78 79 - 98 20% 99 98 01 1% 01 - 77 78 - 97 20% 98 97 01 1% 01 - 76 77 - 96 19% 97 96 01 1% 01 - 75 76 - 95 19% 96 95 01 1% 01 - 75 76 - 94 19% 95 94 01 1% 01 - 74 75 - 93 19% 94 93 01 1% 01 - 73 74 - 92 19% 93 92 01 1% 01 - 72 73 - 91 18% 92 91 01 1% 01 - 71 72 - 90 18% 91 90 01 1% 01 - 71 72 - 89 18% 90 89 01 1% 01 - 70 71 - 88 18% 89 88 01 1% 01 - 69 70 - 87 18% 88 87 01 1% 01 - 68 69 - 86 17% 87 86 01 1% 01 - 67 68 - 85 17% 86 85 01 1% 01 - 67 68 - 84 17% 85 84 01 1% 01 - 66 67 - 83 17% 84 83 01 1% 01 - 65 66 - 82 17% 83 82 01 1% 01 - 64 65 - 81 16% 82 81 01 1% 01 - 63 64 - 80 16% 81 80 01 1% 01 - 63 64 - 79 16% 80 79 01 1% 01 - 62 63 - 78 16% 79 78 01 1% 01 - 61 62 - 77 16% 78 77 01 1% 01 - 60 61 - 76 15% 77 76 01 1% 01 - 59 60 - 75 15% 76 75 01 1% 01 - 59 60 - 74 15% 75 74 01 1% 01 - 58 59 - 73 15% 74 73 01 1% 01 - 57 58 - 72 15% 73 72 01 1% 01 - 56 57 - 71 14% 72 71 01 1% 01 - 55 56 - 70 14% 71 70 01 1% 01 - 55 56 - 69 14% 70 69 01 1% 01 - 54 55 - 68 14% 69 68 01 1% 01 - 53 54 - 67 14% 68 67 01 1% 01 - 52 53 - 66 13% 67 66 01 2% 01 - 51 52 - 65 13% 66 65 01 2% 01 - 51 52 - 64 13% 65 64 01 2% 01 - 50 51 - 63 13% 64 63 01 2% 01 - 49 50 - 62 13% 63 62 01 2% 01 - 48 49 - 61 12% 62 61 01 2% 01 - 47 48 - 60 12% 61 60 01 2% 01 - 47 48 - 59 12% 60 59 01 2% 01 - 46 47 - 58 12% 59 58 01 2% 01 - 45 46 - 57 12% 58 57 01 2% 01 - 44 45 - 56 11% 57 56 01 2% 01 - 43 44 - 55 11% 56 55 01 2% 01 - 43 44 - 54 11% 55 54 01 2% 01 - 42 43 - 53 11% 54 53 01 2% 01 - 41 42 - 52 11% 53 52 01 2% 01 - 40 41 - 51 10% 52 51 01 2% 01 - 39 40 - 50 10% 51 50 01 2% 01 - 39 40 - 49 10% 50 49 01 2% 01 - 38 39 - 48 10% 49 48 01 2% 01 - 37 38 - 47 10% 48 47 01 2% 01 - 36 37 - 46 9% 47 46 01 2% 01 - 35 36 - 45 9% 46 45 01 2% 01 - 35 36 - 44 9% 45 44 01 2% 01 - 34 35 - 43 9% 44 43 01 2% 01 - 33 34 - 42 9% 43 42 01 2% 01 - 32 33 - 41 8% 42 41 01 2% 01 - 31 32 - 40 8% 41 40 01 3% 01 - 31 32 - 39 8% 40 39 01 3% 01 - 30 31 - 38 8% 39 38 01 3% 01 - 29 30 - 37 8% 38 37 01 3% 01 - 28 29 - 36 7% 37 36 01 3% 01 - 27 28 - 35 7% 36 35 01 3% 01 - 27 28 - 34 7% 35 34 01 3% 01 - 26 27 - 33 7% 34 33 01 3% 01 - 25 26 - 32 7% 33 32 01 3% 01 - 24 25 - 31 6% 32 31 01 3% 01 - 23 24 - 30 6% 31 30 01 3% 01 - 23 24 - 29 6% 30 29 01 3% 01 - 22 23 - 28 6% 29 28 01 4% 01 - 21 22 - 27 6% 28 27 01 4% 01 - 20 21 - 26 5% 27 26 01 4% 01 - 19 20 - 25 5% 26 25 01 4% 01 - 19 20 - 24 5% 25 24 01 4% 01 - 18 19 - 23 5% 24 23 01 4% 01 - 17 18 - 22 5% 23 22 01 5% 01 - 16 17 - 21 4% 22 21 01 5% 01 - 15 16 - 20 4% 21 20 01 5% 01 - 15 16 - 19 4% 20 19 01 5% 01 - 14 15 - 18 4% 19 18 01 6% 01 - 13 14 - 17 4% 18 17 01 6% 01 - 12 13 - 16 3% 17 16 01 6% 01 - 11 12 - 15 3% 16 15 01 7% 01 - 11 12 - 14 3% 15 14 01 7% 01 - 10 11 - 13 3% 14 13 01 8% 01 - 9 10 - 12 3% 13 12 01 8% 01 - 8 9 - 11 2% 12 11 01 9% 01 - 7 8 - 10 2% 11 10 01 10% 01 - 7 8 - 9 2% 10 9 01 11% 01 - 6 7 - 8 2% 09 8 01 13% 01 - 5 6 - 7 2% 08 7 01 14% 01 - 4 5 - 6 1% 07 6 01 17% 01 - 3 4 - 5 1% 06 5 01 20% 01 - 3 4 - 4 1% 05 4 01 25% 01 - 2 3 - 3 1% 04 3 01 33% 01 - 1 2 - 2 1% 03 2 01 50% NA NA 0% 02 1 NA NA NA NA 0% 01

Personally, I wish the official rules were "roll highest without goving over" ala Pendragon. Critical = your skill level, Fumble = 01. It's just the simplest and easiest to convey to the players. When I was playtesting Swords of Cydoria, I got a lot of complaints about BRP's convoluted "roll low, lower is better unless its contested, then higher is better if you are both within the same success level". All my players hated it and it was a big barrier towards getting them to accept BRP.

Yes, I am the same Christian Conkle. I read a lot of issues of old Heavy Metal comics when doing the early writing and visual design for this book, so there is an intentional thematic allusion. I was trying to create a setting that felt like the Taarna sequence of the Heavy Metal movie, with a little bit of Ralph Bakhshi's Wizards.

Yay! Thanks! You obviously get it! Let me know if you have any questions.

My hard-copy of "Swords of Cydoria", the monograph I wrote, finally arrived. I'm giddy! It looks great!

Thanks Colin. Your opinion matters a lot to me because I love Atomic Highway. I look forward to hearing more of your thoughts, and the thoughts of anyone else, positive or negative. The Deru are also the favorite non-human race of one of my friends. He roleplays an amazing laconic Deru, just holding on to a ceiling and hanging there. A human walks in and asks "Hey! What are you doing up there?" The Deru considers the answer for like ten seconds before replying, simply, "...hanging."

According to Wikipedia and Google Translate, it translates as "The Man Who Saved the World". I like using Turkish to come up with names for stuff in my games. It just sounds so fantastic and exotic. In Lightspeed, there was an ice planet where everything was named in Turkish. It made the planet feel so real and all the names sounded like names from Dune, which was the point.

I was watching Dünyayı Kurtaran Adam (aka "Turkish Star Wars") again this weekend and I felt a pang of regret that I removed the cheese.

It's true, althought I downlplayed the "cheesy european late-seventies sci-fi Star Wars rip-off" angle earlier iterations of the game had. When I first created it, it was sort of "Star Crash" or "Turkish Star Wars" the RPG. In fact, the very first time I ran this setting was using Dragonstar d20 and the PCs were recruited to defend a small rural town of Mexican farmers from a ravenous pack of ork bandits called "the Borays" who were led by a robot gunslinger named "Red Eye". They had to assemble defenses for the town A-Team style. That version was very very intentionally Knights of Cydonia. This new version is more its own thing. I removed the cheese and bad seventies special effects and made it much more internally consistent, logical, and less silly. Although the secret agents from the planet Phanos still wear white uniforms that look suspiciously like those worn by the Earth Directorate of Buck Rogers (and the female character from Knights of Cydonia).

I'm uploading the inDesign package and PDF to the ftp site right now! I'm a little giddy! I'm so excited! With index and character sheet it comes in at 204 pages. There are 117 illustrations and maps! After it's published (assuming its published), I'll start sharing all the content I had to trim!

Update My wonderful wife finished proofreading and editing Swords of Cydoria last night. All 200 pages of it! It took her about 2 months and she's done an amazing job. I hope to finish integrating her changes this week so I can send it off to Chaosium.

Mechanic? Sure, you just need a bunch of dice with plusses and minuses on them.

My wife is editing my book right now and that's exactly the kind of sentence she circles in red and says "awkward sentence - re-write".

It's also playing on Netflix streaming. It's a very enjoyable film.

Okay, I've got my BGB out now. I'm not relying on the quickstart ruleset. BGB does, indeed, combine movement and actions into Actions, it was split up in the quickstart. BGB page 188, "Statemetns of intent shoudl be handled in order of the DEX characteristic of all involved characters..." Of course, the same page has the option for eliminating or reversing statment of intent, which is how my group has always played and is much more natural for them. Re-reading the Move section again on page 190, I may have misinterpreted moving and acting as happening on different DEX ranks. However, I'm not going to use my house rule idea. I'll just go with the simpler idea of not modifying initiative by movement at all.

Re-reading the combat round rules, I just realized something. RAW, you go.. 1. Everyone declares statement of intent. 2. Everyone moves in order of DEX rank. 3. Everyone acts in order of DEX rank (modified by movement). 4. Resolution (does that mean everyone rolls actions, THEN everyone rolls damage?). That's way too complicated. In my house rules, I'm eliminating Statement of Intent and I'm combining movement and actions and resolution.

I'm not happy with how the movement rules are presented in the BGB. As I'm sure you know, the BGB rules are: On your DEX Rank, if you want to move you can: Move 1-5m and attack immediately on the same DEX Rank. Move 6-15m on your DEX Rank, then attack later at half your DEX Rank. Move 16-29m on your DEX Rank, then attack later at one-quarter your DEX Rank. Equivalent to a charge. Move 30m on your DEX Rank and take no other action. Equivalent to a sprint. However, I think there are two things wrong with these rules. 1) everyone will run 29m, who will run 30m? There’s no real benefit. Plus, it doesn’t mesh well with the character’s MOVE stat, or a 2m combat grid or even a 3m combat grid, and I prefer a 2m combat grid. So I’ve added a minor house-rule in my campaign to address these issues. If these rules sound kind of D&D 4E-ish, its because it's what my group is used to and it's designed to mesh with the BGB's MOV stat. Move 1 square and attack immediately on the same DEX Rank. Move 2-5 squares on your DEX Rank, then attack later at half your DEX Rank (round up). Move 6-10 squares on your DEX Rank, then attack later at one-quarter your DEX Rank (round up). Equivalent to a charge. Move 11-15 squares on your DEX Rank and take no other action. Equivalent to a sprint or “run+run”. For Example, if your DEX Rank was 15, You can move 1 square and attack on 15. You can move 2-5 squares on 15 and attack on 8. You can move 6-10 squares on 15 and attack on 4. You can move 11-15 squares on 15 and take no other action. 1 square = 2m, which is appropriate scale for most battle-maps and minis. The above house-rule preserves the multiple initiative structure of the original rules, groups them into more manageable chunks of 5, and caps “run and act” high enough to make it worthwhile, but low enough to give a reason to sprint. It also manages to preserve the max movement = 30m of the original rules.

Yes and No. Runequest is still a registered trademark for "printed games books featuring game rules and supplements in the nature of fiction stories and related writings and text in the nature of printed books containing any combination of supplemental game rules, fictional background materials, and fiction stories." owned by Issaries, Inc. CORPORATION CALIFORNIA 1050 10th St. Arcata CALIFORNIA 95521 Live/Dead Indicator LIVE Now, Runequest for use in video games is a dead trademark. "(ABANDONED) computer programs, namely, game software for use on computers and video game players; prerecorded CDs and DVDs featuring sound and video in the fields of music, live action programs" And the original Runequest logo is a dead trademark. That is NOT speculation. It's from a TESS search at http://www.uspto.gov/trademarks/index.jsp Heroquest is a mixture of living and dead trademarks. There are three living trademarks. One for "Role playing game equipment in the nature of game book manuals" is trademarked by Stafford, Francis Gregory INDIVIDUAL UNITED STATES 1050 10th St Arcata CALIFORNIA 95521. Another Heroquest is trademarked for "Arranging professional workshop and training courses; Computer education training services; Digital imaging services; Educational examination services; Electronic publishing services, namely, publication of text and graphic works of others on CD, DVD and on-line featuring computer games; Entertainment and educational services in the nature of on-line competitions in the field of entertainment, education, culture, sports, and other non-business and non-commercial fields; Entertainment information; Entertainment services, namely, providing brain training games on-line and in mobile wireless form; Entertainment services, namely, providing on-line computer games; Entertainment services, namely, providing online electronic games; Organisation of sports competitions; Organization of exhibitions for cultural or educational purposes; Publication of books; Publication of electronic magazines; Publication of texts, books, magazines and other printed matter; Publishing of electronic publications; Social club services, namely, arranging, organizing, and hosting social events, get-togethers, and parties for club members" out of Singapore. And a third Heroquest is trademarked for "Computer game programs; Computer game software; Computer operating programs, recorded; Computer peripheral devices; Computer programs for pre-recorded games; Computer programs recorded on data media (software) designed for use in construction and automated manufacturing (cad/cam); Computers; Downloadable computer programs featuring positionable game piece figures for use in the field of computer games; Downloadable electronic publications in the nature of magazines in the field of computer games; Electronic pocket translators; Electronic test and measurement devices for use in the fields of networks and telecommunications, namely, instrumentation used to test and certify new and existing data and voice communication cable and coaxial cable", also out of Singapore. The Issaries trademark for the Heroquest logo is dead. The old Games Workshop trademark for Heroquest and Advanced Heroquest are both dead.