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A little about Kralorea and China


Leingod

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The institutionalized necromancy is another interesting factor we could play with. What if it's not only used for the greenwater-navy's galleys? Is it a fate reserved for prisoners of war, or executed criminals - or do you have some weird system whereby descendants can send a recently deceased ancestor into "indentured servitude" to pay off debts or some minor stipend, with the corpse being disenchanted and returned to its crypt at the end of the service?

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19 hours ago, Sir_Godspeed said:

The institutionalized necromancy is another interesting factor we could play with. What if it's not only used for the greenwater-navy's galleys? Is it a fate reserved for prisoners of war, or executed criminals - or do you have some weird system whereby descendants can send a recently deceased ancestor into "indentured servitude" to pay off debts or some minor stipend, with the corpse being disenchanted and returned to its crypt at the end of the service?

Of course, this necromancy is also used when people die away from their home province.  This allows undertakers to get them to go home again.  Of course if the appropriate seals are broken, the corpses become animated, and turn into hopping vampires.  https://en.wikipedia.org/wiki/Jiangshi

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5 hours ago, GianniVacca said:

I'm not a big fan of having jiāngshī (a Qīng-era monster) in a Bronze Age setting...

While I get your point, Hippgriffs were straight up invented by artists and poets in the 16-1700s, yet are an integral part of pseudo-Babylonian Dara Happa, so it's not unprecedented.

Edited by Sir_Godspeed
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On the other hand, the jiangshi is at least rooted in older Chinese ideas of a dualistic soul: an ethereal soul called a hun that leaves the body after death and a corporeal soul called the po that remains in the body. This idea dates back possibly as far as the 6th century BC. The idea that you have to appease your ancestors with sacrifice or else they'll come back as "hungry ghosts" stems from this idea that there is a soul that remains behind even when the body has died.

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On 12/31/2018 at 1:54 AM, Leingod said:

On the other hand, the jiangshi is at least rooted in older Chinese ideas of a dualistic soul: an ethereal soul called a hun that leaves the body after death and a corporeal soul called the po that remains in the body. This idea dates back possibly as far as the 6th century BC. The idea that you have to appease your ancestors with sacrifice or else they'll come back as "hungry ghosts" stems from this idea that there is a soul that remains behind even when the body has died.

Yes but I don't picture the hungry ghosts as being hopping vampires either.

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On 12/20/2018 at 1:03 AM, Sir_Godspeed said:

If the Chinese Confusian system was anything like the Japanese idea of The Four Professions, farmers would actually be ranked above merchants and craftsmen. Theoretically, at least.

Famously, Aristotle thought that banditry was a more honourable profession than being a merchant.

No-one likes merchants.

Edited by Akhôrahil
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2 hours ago, Akhôrahil said:

Famously, Aristotle thought that banditry was a more honourable profession than being a merchant.

No-one likes merchants.

Aristotle was also famously wrong about everything.  https://forbiddencomma.wordpress.com/2015/10/21/aristotle-wrong-about-everything/

Personally I have never liked Aristotle, while I like merchants as they offer prosperity and class mobility without the prospect of having to murder loads of people to achieve it.  On the other hand, the threat that merchants pose to military types is daunting and immense as it undermines everything their lives are based on.  

Edited by Darius West
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On 12/30/2018 at 12:53 PM, Sir_Godspeed said:

While I get your point, Hippgriffs were straight up invented by artists and poets in the 16-1700s, yet are an integral part of pseudo-Babylonian Dara Happa, so it's not unprecedented.

FWIW... while the term does indeed seem to be a Renaissance-era neologism, the concept is much older.  The "Griffon X Horse" cross was famously used to portray "True Love" (love despite being natural enemies) and an improbable mating -- Love Overcomes All.  The cross is attested at least as far back as Virgil, and used in art at least as far back as Augustus.  I stronly suspect that only our incomplete records prevent us from tracing it as rather more extensive than that; Virgil's usage seems to be in a short list of well-known / obvious exemplars.

C'es ne pas un .sig

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